Lilan loses her king (husband) Chanesar for an obscenely expensive necklace and undergoes travails of an unbearable separation to regain her status and character while Sorath is a loving soul, full of passion and care about her beloved. Sohni is a daring soul, who, in order to meet her beloved Mehar (ميهار) overlooks the hyper waves of the Indus River and keeps meeting her beloved on the far bank of the river and one night falls victim to the river waves and dies.

Noori is a fisher-woman who enchants the king Tamachi (تماچي) and turns out to be one of the most romantic characters in Sindhi literature like Moomal and Suhni. Sasui is a daunting lady, who takes a debilitating journey of mountainous tracks to find her beloved, Punhoon (پنهون). Moomal's character portrays an image of a passionate soul, brimming with love for her beloved, Rano (راڻو) and suffers at the altar of separation and rejection but does not surrender. Marui's character portrays the love for the land, its people, her commitment to her traditions, her stance before a tyrant king, Umar (عمر) or as some say (Amar-امر). These seven female characters, which the poet picked from history to convey his poetic message, have remained cultural icons in the history of Sindh for their bravery, passion, loyalty, commitment, and character strength. Seven Queens (Sindhi:ست سورميون, pronunciation (sat-a soor-myoon) meaning Seven heroic women) is a name commonly referred to the seven female characters that appear in the poetry of the Sindhi poet Shah Abdul Latif Bhittai in his book Shah Jo Risalo.

Sindhi love poetry images